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musical sounds or tools, like a reverb plugin. While I'd suggest diving in with reverb demo first and foremost, if you really want to learn more, there are some online video courses like this one: - only you can answer if it's worth spending money on learning vs. If you're using a couple different dry orchestral libraries together, it seems like a good idea to use reverb to bring them perceptually into the same room and reverb should work really well for that.ĮDIT: This guy isn't necessarily the best engineer in the world by any means, and the music he works with may not be what you or I like, but I personally found him to be a pretty good teacher.
Not doing orchestral, I generally don't want any reverb on my kick drum(s). I think it depends on the goals, the music, and how "wet" with reverb the instruments/busses already are by the time they get to the mixbus. In the end, is it a good idea to apply a "final reverb touch" to the main mixer channel, so your song has this feeling that was created in the same place/room/space, or is it too dangerous that it will be "too much"? I have read both opinions. creating the space you want from scratch? Caveat: I don't make orchestral music.
Hardly anyone will know the difference between concert halls, so, to me, why bother learning the idiosyncratic differences of their impact on the sound vs. Depends on the music and the instruments. I also don't think convolution reverbs always sound more natural, let alone better. That said, I haven't used too many convolution reverbs.
VALHALLA VINTAGE VERB VOCALS DOWNLOAD
I suggest taking the time over a week or two to download and use every single recommended reverb, not just on VI-Control, that you can find and hear the differences and try their different controls.Īre algorithmic reverbs much more light on CPU usage? That's why so many people prefer them over the more-natural-sounding conv reverbs? That said, a good reverb will wrap itself around the sound as if it belongs there and was there all along - then it comes down to whether you like that particular reverb's "flavor". Different reverbs have different controls built in, and have different design goals in terms of their sound. Some that come with libraries are pretty good, and, if not just tacked on, are probably carefully selected/tuned to be complimentary to the library itself. But for subtle and/or basic reverb effects, DAW plugins and included reverbs work just fine.
VALHALLA VINTAGE VERB VOCALS FOR FREE
others), is D16 Toraverb.Īre both (1) and (2) options "not so good"? Is PhoenixVerb or Valhalla Room or Seventh Heaven significantly better-sounding, with more options and easier to implement than reverbs that are included for free in DAWs and music libraries?" Another underrated and not really expensive algo reverb, in addition to things on huge sale or anything from ValhallaDSP (can never go wrong with Valhalla, just more a matter of whether you like it most vs. I don't know if Phoenix will come back to pluginboutique for $10, as I think it already was and then stopped there. While I'd rate Phoenixverb as higher quality, another good reverb with more experimental functions is on sale at pluginboutique: Audiority Xenoverb - for me in the US, it's $10.
VALHALLA VINTAGE VERB VOCALS FULL
I just sold my duplicate licenses of those (I'd purchased Music Production Suite 3 that also came with them) on this board to some great people for a fraction of the full retail price. If PayPal works for you in Greece, and you're willing to have some risk, you can many times find Nimbus and R4 for sale here or on KVR.
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